Cinema and Video
Where are you, Megan?
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“Megan Is Missing” isn’t just a film; it’s a fracture in the facade, a call to rebuild before the next chat pings with doom.
The Films of Tamakichi Anaru as the Extreme Degree of Extreme Cinema
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Tamakichi Anaru’s films stand as extreme cinema’s vanishing point: beyond them lies only silence or madness.
Cinema and Video
The Ontology of the Unreal: Faux-Snuff as a Window onto the Real
This image is not a philosophical argument but an aesthetic experience, a felt encounter with the inhuman
Ontological Horror in *The Life and Death of a Porno Gang*
The Life and Death of a Porno Gang* endures as a masterful evocation of ontological horror.
The Abyss Stares Back: Existential Despair, Horror, and Violence in the Cinema of Khavn de la Cruz
Through his transgressive lens, Philippine cinema becomes a universal mirror, compelling us to confront what it means to exist—and to persist—in the face of the void.
Cinema and Video
The Ontology of Horror in Adam Rehmeier’s The Bunny Game and Its Role as Extreme Therapy for Lead Actress Rodleen Getsic
The film endures as avant-garde testament: horror not as escape, but as ontological truth and redemptive rite.
Cinema and Video
The Ontology of Homophobia and Discrimination in Lex Ortega’s Atroz
Atroz is a film that cannot be unseen. It is also a film that, for many, should not be seen. But as a philosophical text, it offers a unique and harrowing ontology of homophobia.
The Unbearable Lightness of Transgression: 29 Needles Review
29 Needles offers no comfort and no condemnation. It offers only this: the image of a body pushed to its limits and beyond, and the question—unanswered, unanswerable—of why.
Historical and Philosophical Examination of Kazuyoshi Kumakiri's Kichiku: Banquet of the Beasts
The historical reference to the Asama Sanso incident provides a crucial anchor for the film’s political significance, for the United Red Army’s internal purge.
